anonymous
  • anonymous
Read the passage and then answer the question below. From A Book About the Theater by Brander Matthews At the end of the nineteenth century the two masters of the stage were Ibsen and Wagner, and both of them were in the show business—Wagner more openly and more frequently than Ibsen. Yet the stern Scandinavian did not disdain to employ an avalanche in 'When We Dead Awaken,' and to introduce a highly pictorial shawl dance for the heroine of his 'Doll's House.' As for Wagner, he was incessant in his search for the spectacular, insisting that the music-drama was the "art-work of the futu
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schrodinger
  • schrodinger
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anonymous
  • anonymous
As for Wagner, he was incessant in his search for the spectacular, insisting that the music-drama was the "art-work of the future," since the librettist-composer could call to his aid all the other arts, and could make these arts contribute to the total effect of the opera. To what or whom does the selection in bold refer? Wagner A play Ibsen The stage
Falco276
  • Falco276
Hey, I have the same question! But what's the answer? :(
anonymous
  • anonymous
i need the answer..

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anonymous
  • anonymous
@Madisaddledup @mathstudent55 @hartnn someone?
anonymous
  • anonymous
1) I know I posted in here but there isn't a bold text 2) I can't help anymore because I finished English
anonymous
  • anonymous
ok well /: thanks

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