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At vero eos et accusamus et iusto odio dignissimos ducimus qui blanditiis praesentium voluptatum deleniti atque corrupti quos dolores et quas molestias excepturi sint occaecati cupiditate non provident, similique sunt in culpa qui officia deserunt mollitia animi, id est laborum et dolorum fuga. Et harum quidem rerum facilis est et expedita distinctio. Nam libero tempore, cum soluta nobis est eligendi optio cumque nihil impedit quo minus id quod maxime placeat facere possimus, omnis voluptas assumenda est, omnis dolor repellendus. Itaque earum rerum hic tenetur a sapiente delectus, ut aut reiciendis voluptatibus maiores alias consequatur aut perferendis doloribus asperiores repellat.

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At vero eos et accusamus et iusto odio dignissimos ducimus qui blanditiis praesentium voluptatum deleniti atque corrupti quos dolores et quas molestias excepturi sint occaecati cupiditate non provident, similique sunt in culpa qui officia deserunt mollitia animi, id est laborum et dolorum fuga. Et harum quidem rerum facilis est et expedita distinctio. Nam libero tempore, cum soluta nobis est eligendi optio cumque nihil impedit quo minus id quod maxime placeat facere possimus, omnis voluptas assumenda est, omnis dolor repellendus. Itaque earum rerum hic tenetur a sapiente delectus, ut aut reiciendis voluptatibus maiores alias consequatur aut perferendis doloribus asperiores repellat.

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Rosen’s first paragraph doesn’t even talk about social media—or does it? She mentions portraits, which were paintings of people’s faces from centuries ago. So what does that have to do with social media? Take a close look at this sentence from the paragraph: "A marker of wealth and a bid for immortality, portraits offer intriguing hints about the daily life of their subjects – professions, ambitions, attitudes, and, most importantly, social standing." Though Rosen is writing about paintings from a long time ago, some of this sounds familiar. On social media, don't you learn something about the person from his or her profile pictures?
The article says profile pictures are different from portraits because they last longer than portraits they don't last as long as portraits they never look as nice as portraits they are usually out of focus Question 2 (Multiple Choice Worth 2 points) Rosen cites which networking study in her article? The Small World Experiment The Kevin Bacon Trial The Last Person Standing Survey The One-to-One Ratio Research
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"For centuries, the rich and the powerful documented their existence and their status through painted portraits. A marker of wealth and a bid for immortality, portraits offer intriguing hints about the daily life of their subjects – professions, ambitions, attitudes, and, most importantly, social standing. Such portraits, as German art historian Hans Belting has argued, can be understood as "painted anthropology," with much to teach us, both intentionally and unintentionally, about the culture in which they were created."
The article says profile pictures are different from portraits because they last longer than portraits they don't last as long as portraits they never look as nice as portraits they are usually out of focus

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